Music Review: Ryuichi Sakamoto’s posthumous album ‘Opus’ celebrates his pioneering musical legacy
2024-08-07
Ryuichi Sakamoto's Poignant Farewell: A Musical Legacy Immortalized
Ryuichi Sakamoto, the renowned Japanese film composer, has left an indelible mark on the world of music. As he faced the final stages of his battle with cancer, Sakamoto's posthumous album and documentary, both titled "Opus," serve as a poignant farewell to his remarkable career. This retrospective work not only showcases his musical genius but also reflects on the profound impact he had on the industry and his enduring legacy.
A Virtuosic Swansong: Sakamoto's Masterful Compositions Immortalized
Revisiting the Roots of Sakamoto's Musical Journey
The album "Opus" takes listeners on a captivating journey through Sakamoto's half-century career, featuring solo piano renditions of his most iconic film scores. One standout track is the first-ever recorded version of the playfully lyrical "Tong Poo," a piece from his early days with the pioneering techno-pop trio Yellow Magic Orchestra (YMO). This Japanese act, which Sakamoto co-founded, was a trailblazer in the 1970s electronic music scene, paving the way for global recognition.
Showcasing the Pillars of Sakamoto's Legacy
The album also showcases solo piano versions of the film scores that have become the pillars of Sakamoto's legacy. This includes the majestic theme for Bernardo Bertolucci's "The Last Emperor," a film set in the final days of imperial China. Sakamoto's score for this critically acclaimed movie not only won an Academy Award for Best Original Score, making him the first Asian to receive the honor, but also a Grammy. The album also features the poignantly pensive music Sakamoto composed for Bertolucci's "The Sheltering Sky," which juxtaposed emotionally lost American travelers with the ruthless vastness of northern Africa.
Sakamoto's Signature Piece: "Merry Christmas Mr. Lawrence"
Another standout track on "Opus" is the music for "Merry Christmas Mr. Lawrence," a 1983 film about a World War II prisoner of war camp, directed by Nagisa Oshima, in which Sakamoto also acted. This piece has become a signature work, showcasing Sakamoto's unique musical voice that is both challenging to define yet distinctly Asian in its feel, with the utilization of certain harmonies, pentatonic motifs, and scales.
Minimalist Mastery: Sakamoto's Evocative Silences
Sakamoto's musical style has been described as minimalist, with his ability to speak through the silences between the notes. This approach, which is evocative of the works of Debussy, is a testament to Sakamoto's virtuosic command of the piano and his profound understanding of the power of restraint. The recordings on "Opus" capture this essence, with the piano pedal shifts and Sakamoto's breathing audible, adding to the intimate and personal nature of the performance.
A Poignant Farewell: Sakamoto's Final Artistic Statement
The album "Opus" and the accompanying documentary film by Sakamoto's son, Neo Sora, are a testament to the composer's unwavering commitment to his craft, even in the face of his own mortality. Recorded and filmed as Sakamoto was dying of cancer, the project was his final artistic statement, a poignant farewell to his life's work. The title piece that ends the album resonates like a solemn prayer, reflecting Sakamoto's desire to capture his performance while he still could, despite the toll it took on his weakening health.
Embracing Mortality: Sakamoto's Profound Message
In his final statement accompanying the project, Sakamoto expressed that he felt he was able to "break new ground" while also acknowledging the bittersweet nature of the recordings, as they represented his "last opportunity to perform." Through this deeply personal and introspective work, Sakamoto reminds us not to fear death, but to embrace it with a quiet dignity, as he has done with his own remarkable life and legacy.